Over 320 purposes for Fare Teatro di Bottega XNL calls. Introduce the actors

Come to the center of “Bottega XNL”, the theater and cinema challenge by XNL Piacenza, created and directed by Paola Pedrazzini. In current days, the primary version of “Fare Teatro”, the superior coaching course directed for the 2022 version of Marco Baliani and goals to create an unprecedented model of Sophocles’ Antigone, which can be staged at a nationwide premiere on the Historical Theater Competition in Veleia on 19, 20 and 21 July.

21 college students participate within the course, chosen by Baliani himself on the idea of the responses to the decision launched in March final 12 months: with a participation that far exceeded probably the most optimistic expectations, over 600 emails of curiosity and 321 purposes got here from throughout Italy. The creative degree of the candidates is excessive, coming primarily from Lombardy, Emilia-Romagna, Lazio, Campania, Sicily and Puglia: current graduates from theater faculties, college students, alumni and younger professionals keen to take the prospect of a really excessive degree of schooling. Beneath the course of Marco Baliani, the actors will stage a primary work in a prestigious setting reminiscent of the traditional theater competition in Veleia.

“The journey of Making Theater begins in one of the best course – he feedback Roberto Reggi, chairman of the Piacenza and Vigevano Basis, which, in XNL, has its personal principal cultural challenge -. The creative worth of this schooling led to a large participation within the name, however the over 320 purposes in only one month symbolize a form of document that stunned us positively. However crucial factor, past the numbers, is that these younger persons are given a concrete alternative for private {and professional} growth. “

From Might 30, college students will attend the Intensive Fare Theater course on the second ground of the Palazzo XNL all day, based mostly on the mannequin for the historic Fare Cinema course created with Marco Bellocchio in Bobbio from which Paola Pedrazzini has conceived Bottega XNL as “a spot the place Maestro passes on his data to younger individuals who need to make theater their occupation. Simply as occurred within the historic Renaissance workshops, studying takes place in doing: on this case , by collaborating within the artistic technique of Antigone’s challenge – says Pedrazzini – triggers and synthesizes “Making Theater” a virtuous circle of training-production-realization artistically and culturally: that’s, it offers life to a workshop planning that goals to not merge into an essay or a mode train, however into an authentic theatrical work that can be offered in Veleia and thus returned to the spectator group.Throughout these first days of the workshop, I noticed my enthusiasm for the challenge shared in Marco Baliani and within the eyes of those 21 proficient actors, engaged in a seek for themselves and for the deep which means of Sophocles’ implausible tragedy.

The originality of the Fare Teatro challenge is properly interpreted by Marco Baliani, who explains the work with the scholars on this means: “A theater schooling workout routines its worth whether it is able to transferring data and expertise, to worth – by the individuals – the methods through which I come to current my workout routines, my visions, poetics, the issues I’ve discovered over time and years of labor, but it surely should even be the place the place the alternative occurs majestically: there’s a data that additionally comes from the actor collaborating within the formative The workshop course that opened right here in Piacenza is a spot of trade and discovery. Solely on this means does it make sense to position the legendary characters Antigone, Creon, Ismene, Tiresias and all of the others within the heart of the highway.Sophocles’ Antigone turns into a map of phrases, gestures, actions, concepts, strategies, to the extent that within the textual content and within the story one finds the hidden senses that also echo in us, within the current. ice them as the results of the analysis performed. It’s a tough job, it requires a dedication from the collaborating actors that goes far past the mandatory interpretive means. He asks the actors to be artists throughout the board, able to writing in decisions and proposals, which with me weaves a continuing but additionally contradictory, energetic, artistic dialogue ”.

With these venues, Antigone, which can be offered on the nationwide premiere in Veleia, can solely be way more than a efficiency: a energetic creative challenge for theatrical analysis. Why Antigone? That is how Paola Pedrazzini explains: “For the primary version of Fare Teatro, I believed I’d counsel the challenge to Marco Baliani and I prompt him create the course that works with Sophocles’ Antigone, each for absolutely the magnificence and the complicated relevance of tragedy, and to I discovered and I discover the stimulating concept that Baliani will strive once more with Antigone thirty years after “Antigone delle città” (the challenge impressed by the Sophocles tragedy that the director directed in Emilia’s capital to recollect the bloodbath in Bologna) and that this time he does based mostly on Sophocles and inside the framework of an archaeological web site “.

The struggle has simply handed, what’s left within the our bodies of the residents after the hazard has handed? “It’s tough to point a single emotion – Baliani explains – struggle results in behaviors that lack any sense of humanity, or to sudden outbursts of solidarity, to heroic or determined gestures, every part is combined within the souls, our bodies are shaken upset, voices come out out of the throat and nonetheless affected by the scream, the outraged cry, the zeal to kill, the worry of being raped.My search with the actors can be to search out the voices that come out of the tormented our bodies.It’s these voices that must communicate The tragedy is due to this fact the determined try and treatment the chaos of life by means of phrases, to permit souls to distance themselves from the horrible expertise of struggle, to hunt a way of destruction, with out fleeing to different districts with out dealing with direct conflicts reminiscent of struggle triggered “.

The scholars chosen by Marco Baliani, among the many a whole lot of candidates offered for the decision, are between 22 and 34 years outdated. It’s a giant part from Milan, however there may be additionally a presence from Lazio and Sicily and there’s a younger Piacenza among the many chosen ones. For this reason the listing of individuals within the course: Alessandro Apostoli (Verona), Francesca Barbieri (Rome), Silvia Bertocchi (Milan), Elia Bonzani (Reggio Emilia), Lorenzo Carpinelli (Ravenna), Raffaele De Vincenzi (Perugia), Carlo Fabbri (Rome), Marcella Faraci (Reggio Emilia), Giorgia Favoti (Milan), Ludovica Ferraro (Milan), Dania Grechi (Bologna), Cristina Maffia (Padova), Francesca Muscatello (Genoa), Marica Nicolai (Modena), Michele Nisi (Rome), Märta Ossoli (Brescia), Matteo Sangalli (Milan), Leonardo Tanoni (Piacenza), Davide Tortorelli (Fidenza), Massimo Vazzana (Palermo), Giulia Visaggi (Milan).

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